Four songs. One meter. Seventeen minutes.

Over and Over → Lord Send Revival → More than Able → Forever and Ever Amen, with At the Altar as the post-exhortation tag. Every seam below was scored by the same matching engine that runs the Finder.

all 6/8 · clicks 69 → 74.5 → 73 → 85 (tag) → 82 · in C or D · 17 min without underscore

Verified against the charts, this chain shares no loops at all. It holds together on meter, click and lyric, and every seam is crossed on purpose.

The chain

1. Movement 1 · click 69Elevation

   Over and Over

   V 4-1-4-1 · C 4-6-1/3-4 · B 4-1/3-6-5

   Full form. Production note, verbatim: “Instead of making the last chorus down, add another down bridge at the end” . The set ends its first movement quiet so the seam can build from silence.

2. Seam · no shared loop — guitar solo

   The engine rejects every section pair here (harmony gate). Correct call: this seam is crossed by a guitar solo, click moves 69 → 74.5 under it. A rejected seam means no splice. It does not mean no transition.

3. Movement 2 · click 74.5Hillsong

   Lord Send Revival

   every section 4-1-5-5 — the revival loop

   “Open the heavens, fling wide the gates” → the fingerpicked “worship Your majesty” moment → instrumental → bridge ×3 → “Lord Send Revival” triple (big) → big reprise → strip to rolling piano and ooh.

4. Seam · no shared loop — the lyric carries it

   The engine rejects this pair — the earlier 83 came from a mis-coded revival loop. Cross it anyway, on two things you control. Keep the click nearly still: 74.5 → 73 is inside what a drummer will not re-feel, so do not re-count it. Then let the lyric make the join — “You’ve done it before, won’t You do it again” is answered by “He’s done it before, He’ll do it again.” Cue the second song so its first line lands on that answer, and the seam needs no shared chord.

5. Movement 3 · click 73Elevation

   More than Able

   C 1-5-4-6 · V & B are bass walkdowns (1 · 1/7 · 1/b7 · 4/6 …)

   Testimony verse, “He’s not done with me yet” build, spontaneous “He is up to something.” Ends on the majesty line with a 4-bar guitar solo fade, counted rather than felt. Note for the band: the verse and bridge are descending bass walkdowns over a held 1 rather than four-chord loops. The songbook’s model cannot express that, so read the chart here.

6. Seam · exhortation over underscore

   Play At the Altar as a tag, not a splice. There is no shared loop and you do not need one — the exhortation has already put the room at the altar, so the words carry the handoff. Push the click to 85 under the pad.

7. Tag · click 85Elevation

   At the Altar

   C, refrain & tag 1-4-1/3-4 · post-chorus 1-2-1/3-4

   “Bring it all to the Father… lay it all down… He can use anything.” Intimate: an altar, not a rally. Fade.

8. The ring · one chord away

   What the charts say. Lord Send Revival’s loop is 4-1-5-5 — it holds the 5 for two bars. Forever and Ever Amen’s verse is 4-1-5-4. One chord apart, and only in the turnaround.

   To close the ring, change one bar. On the last bar of Lord Send Revival, play the 4 instead of holding the 5. Nothing before that bar moves. Call it to the band as a turnaround substitution, not a new part — one bar, one chord, and the two songs are running the same loop.

   If you would rather not touch the arrangement, skip it. The seam still holds on the lyric alone: “never grow tired of telling You You’re worthy” → “we never grow tired of singing.” That needs no chord change and no rehearsal.

   Do not wait for the engine to find this. It compares 4-1-5-5 against 4-1-5-4 and rejects the pair — correctly. The ring is an arrangement decision you make, not a match the tool hands you. It was published here as “engine 94, exact” until 2026-08-21, on a revival loop mis-coded 4-1-5-4; the chart says otherwise.

9. Movement 4 · click 82Maverick City

   Forever and Ever Amen

   C 4-1-5-6 · V 4-1-5-4 · vamp on 1

   Holy/worthy antiphon → “praise His name” → “this is the song that never ends” → giving message over underscore → preach.

The lyrical ring

Use the first and last lines as bookends. This set opens on “I could never grow tired of telling You You’re worthy… over and over again” and closes on “we never grow tired of singing… forever and ever, amen… this is the song that never ends.” Same claim, opened and closed. No chord chart will surface a ring like that, so check it by hand: before you fix the running order, read the opening and closing lyrics of the whole chain side by side and see whether the last line answers the first.

Keys